Three services
Three services, no platforms
Three separate things, each doing one job. None of them is a platform, and none of them stands between you and the people listening.
The parts
What each one does
They're built to work together, but they aren't one product wearing three names.
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Station
the serviceThe software you run on your own server. It holds your music, your catalog, your storefront, your fan club and your treasury, and serves all of it from a machine you pay for and nobody else can reach into. One command installs it; the whole thing takes about ten minutes.
Self-hosting, without the part where you also have to build a website.
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qnch
the networkDIY and platforms sit at opposite ends of one spectrum: self-hosting keeps your control and strands you on a website nobody visits, while a platform makes you findable and takes the rest in exchange. qnch is what lets you stand at both ends at once. There is nothing extra to run — it works inside Station, from the moment your server is up. Artist servers find each other on their own, so a fan can search your handle in one app and land on you, with no platform database in the middle.
The network knows where to find you, not what you have. No central index, no central copy.
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FanSociety
fan clubsA patronage service designed specifically for musicians and their fans. No subscriptions; instead, a one time donation gets you in the Fan Club and timestamps when you joined. Artists can use this information to give back to their fans in a number of ways.
Gated access to albums and songs is a feature that is available from day one.
The shape
Why this isn't a platform
You could already self-host your music without any of this. The reason very few do is that it's not scalable.
Asking listeners to visit twenty different sites, with twenty different layouts, to hear twenty different bands keeps DIY permanently niche. The convenience is real, and a platform is what usually supplies it — at the price of sitting in the middle of every transaction you'll ever make.
qnch supplies the convenience without occupying the middle. Your server is still yours; it's just also a participant in a network that knows how to find it. Fans get one app and one search box. You get the catalog, the prices, the money and the machine.
That's the whole trick, and it's the reason none of these three services needs to become a company that owns your audience.
Division of labour
What's yours, and what isn't
The right-hand column is deliberately short. It's the entire list of things the network does on your behalf.
The trade
Nobody else holds a copy
If your server is off, your music is unavailable. Not deleted — unavailable.
While your node is down, fans can't stream, buy or download from you. When it comes back, everything resumes exactly where it was.
That's the cost of owning your distribution outright: no one can take your music down, and no one can keep it up for you either.
It's also the practical argument for a cheap VPS that stays on over a laptop that goes to sleep. Uptime is now a thing you own.